Reviews

Offering an Alternative Vision: "One Country" Reviewed


For years the Israeli-Palestinian conflict has been mired by a series of failed peace negotiation, enmeshing Israeli Jews and Palestinians in a seemingly intractable struggle. Even 59 years after the creation of the state of Israel the quest for Jewish security has not been realized, while Palestinians – those dispossessed in 1948, 1967, and the 3.8 million living under Israeli occupation – have not seen a just resolution to a conflict that has marred their history and shaped their identity. The international community, including many Israeli and Palestinians, still subscribe to the notion that the two-state solution is the only way to settle the conflict. 

Book review: "The Attack: A Novel"


Yasmina Khadra is the pseudonym for Mohamed Moulessehoul, a former Algerian army officer who decided to write under his wife’s name to avoid army censorship. He was in Sydney last year for the Writers’ Festival, at which he spoke about his novel The Swallows of Kabul. It was set in Afghanistan, but he confessed that he had never been there before, and I couldn’t help but wonder how he described the land and the atmosphere of oppression. Reading The Attack, I wondered the same thing. While there is little description of surroundings, and Khadra is a very capable writer, I doubted he had ever been there. This doesn’t weaken the book so much as emphasise that his narration is an outsider’s voice. 

Film Review: "Visit Palestine" and gain an insider's view


Katie Barlow’s documentary Visit Palestine was one of the most riveting films to be featured in this year’s Chicago Palestine Film Festival. In the film Barlow follows Irish human rights activist Caoimhe (pronounced Cueeva) Butterly during her stay in Jenin refugee camp in 2002. Among her extensive involvement in the Jenin community, Butterly worked with local volunteers shortly after the 2002 massacre, unearthing the bodies of over sixty civilians who had been killed in the incursion. Butterly’s willingness to risk her own safety to intervene in and witness the ongoing assault on Palestinian civilian life gained her the respect and trust of Jenin residents, as she was welcomed into the homes of several families. 

Book Review: Ramzy Baroud's "The Second Palestinian Intifada"


Over the last five years, the Palestinian people have faced a host of obstacles in their fight for sovereignty, preventing them the opportunity to create a life those in the Western world brag about. A principal impediment facing the Palestinian struggle today is the constant reaffirmation that the Palestinian people — deemed by Israel and the US — are “terrorists,” “militants,” or animalistic beings lesser than those of the “civilized world.” In Ramzy Baroud’s new book, The Second Palestinian Intifada: A Chronicle of People’s Struggle, this myth is shattered. 

Book Review: The Persistence of the Palestinian Question


Joseph Massad’s new book THE PERSISTENCE OF THE PALESTINIAN QUESTION comprises a collection of essays that address the question of Palestine from a number of new angles, covering a broad spectrum of fields in which history is made — official politics, sexual politics, popular resistance, national and social struggle, demography, ideology and state repression. In this review, Sally Bland writes that Massad recognises that the “peace process” has been a disaster for Palestinians, but rather than merely bemoaning this outcome, he seeks the roots of the problem, delving into awkward corners that most prefer to ignore. 

Echoes of Ireland in Palestine: a review of Ken Loach's new film


Watching The Wind That Shakes the Barley, Ken Loach’s new feature film set mainly during the Irish Civil War in the early 1920’s, it is impossible not to make comparisons with contemporary events. Indeed Loach, whose film won the Palme D’Or at Cannes, has been quite explicit about his own view that the film is not merely an examination of the past, but a comment on the times we live in. Loach also recently announced his support for the call by Palestinian film-makers, artists and others to boycott state sponsored Israeli cultural institutions and acknowledged that “Palestinians are driven to call for this boycott after forty years of the occupation of their land, destruction of their homes and the kidnapping and murder of their civilians.” 

Film Review: "Kings and Extras": Digging for a Palestinian Image


Azza El Hassan’s documentary Kings and Extras: Digging for a Palestinian Image chronicles the director’s journey on the trail of the lost PLO film archive that went missing in Beirut in 1982. Through the narratives of individuals whose interviews El Hassan feels can assist her with locating the lost archive, the film touches on several aspects of contemporary Palestinian life. The engaging documentary was featured in this year’s Chicago Palestine Film Festival, adding yet another dimension to the chronicling of Palestinian history. 

Film Review: The Balata Film Collective: "Nour's Dream"


This year at the Chicago Palestine Film Festival, the Balata Film Collective presented their thirty-one minute documentary Nour’s Dream. Through a visual journey of Palestinian history, culture, heritage and resistance the film demonstrates the imperative need for the documentation of Palestinian lives. As the fictional main character, Nour narrates the documentary by informing the viewer of the significance of stones within past and present Palestinian society. 

Film Review: "Yasmine's Song"


Najwa Najjar’s short feature film, Yasmine’s Song, 2005, uses the story of Yasmine, a young Palestinian woman living in a small Palestinian village, to articulate the even greater difficulties Palestinians are facing as their land, villages, communities and families become increasingly divided by the wall. In her film, Najjar examines the stifling effects of the Israeli occupation on Palestinian life through the most universal subject, love. The narrative of the film revolves around the love story of Yasmine and Ziad (a young man from her village). 

Film Review: "Bethlehem Bandolero"


Bethlehem Bandolero is a quirky six-minute short by Palestinian filmmaker Larissa Sansour. In the role of a “Mexican gunslinger” that could be straight out of a Spaghetti Western, Sansour’s performance captures the irrationality of Israel’s building of a twenty-five foot “security” wall as means of seeking “peace” with Palestinians. Sansour confronts the illogic of the situation with her own demonstration of absurdity in a witty but bizarre journey in her native Palestine where she takes on the wall in a High Noon-like duel, dressed in a pistol-toting getup that includes a large red sombrero and a black and white polka-dot bandana that covers her face.