Reviews

Book Review: American author's debut novel, "The Woman I Left Behind"

Maureen Clare Murphy 9 April 2006


Khalid and Irene are like two tectonic plates - when friction arises between them, their relationship is shaken to its core. Coming from two separate experiences - American Irene, who lived a privileged East Coast childhood, and Palestinian Khalid, who lost nearly all of the significant people in his life to war — the two come together with great passion that later gives way to uncertainty and distrust, shaking their faith in each other. Their rocky journey towards mutual trust is at the center of Kim Jensen’s debut novel The Woman I Left Behind. 

Theatre Review: My Name Is Rachel Corrie

Cindy Corrie and Craig Corrie 11 October 2005


When our daughter Rachel Corrie was killed by an Israeli bulldozer in the Gaza Strip on March 16 2003, an immediate impulse was to get her words out to the world. We realised that her words were having a similar effect on others whose lives were being changed. Earlier this year, when a play created entirely from Rachel’s emails and journals first opened in London, we saw in a very immediate way the impact that Rachel’s words can have on others. It is disturbing to see our daughter played on stage, but it drives home the impact she has had since her killing in Gaza. 

Film review: "Just Married" divorced from the bigger picture

Maureen Clare Murphy 29 September 2005


The theme of Just Married is Israel’s discriminatory family reunification process, which has been frozen since 2003. Because no unification applications are currently being accepted, Palestinians from the occupied West Bank (excluding Jerusalem, which Israel illegally annexed in 1967) and Gaza Strip who marry Israeli citizens or residents are unable to legally live with their spouses in Israel or occupied East Jerusalem. However, as it the film focuses on just two newly-married couples and the problems they face, the magnitude of the problem is unclear to the viewer, as is Israel’s motivations behind the freezing of the process. 

Film review: "Private"

Arjan El Fassed 26 July 2005


Winner of a Golden Leopard at the Locarno Film Festival (Best Film) and Bronze Leopord (for Mohammad Bakri’s performance), “Private” is a thought provoking, psychological drama, based on real events. Mohammad, played by famous Palestinian actor Mohammad Bakri is a Palestinian teacher and active pacifist. He lives with his family in a home located in an area between a Palestinian village and Israeli settlements. His wife Samia (Areen Omari) feels unsafe in these surroundings and would like to move, but Mohammad’s pride does not allow him and his middle class family to be labeled with the status of refugee. He decides to stay. 

Film review: "The Syrian Bride" makes for a difficult marriage

Jonathan Cook 21 July 2005


“Maybe I should learn to be less sensitive but when director Eran Riklis arrived in Nazareth last month for the screening of his much-garlanded film ‘The Syrian Bride’, he got off on the wrong footing the moment he walked through the door,” writes EI contributor Jonathan Cook. The film, produced with Israeli, Palestinian and Syrian actors is set in a tiny Druze community in the Golan Heights, part of Syria occupied by Israel since 1967. The only contact the Israeli and Syrian authorities allow is the occasional passage of brides across the ceasefire line. While the film tries to break boundaries, Cook says, it also reveals others that the director failed to see. 

Book review: "The One-State Solution"

Iqbal Jassat 16 July 2005


As Israel’s apartheid wall colonizes 30-40 percent more of the 22 percent of Palestine that remains, an increasing number of analysts, activists, and academics have begun to challenge the two-state solution designed to bring an end to the Israeli-Palestinian conflict. With Palestinians eventually ending up with only 12-15 percent of their land, made up of disjointed ghettoes over which they will have no sovereignty- a single, secular polity that would encompass both Israel and the Occupied Territories is looking increasingly attractive. The One-State Solution written by Virginia Tilley, associate professor of Political Science at Hobart and William Smith Colleges, lucidly demonstrates why the two-state model “is an idea whose time has passed”. 

Book Review: Sabra and Shatila 1982

Victor Kattan 21 May 2005


Day and night, for three days in September 1982, a massacre took place in Sabra Street and Shatila refugee camp in a popular residential area of Lebanon’s capital Beirut. Even today, few people are aware of the scale and extent of the killings that took place for 43 consecutive hours some 23 years ago. Palestinians were the target of this massacre, but they were not the only victims. Arabs of other nationalities, Turks, Bangladeshis and Iranians were also killed in their homes, in the streets, or marched to Sports City where they were shot in hastily-dug death pits. 

Film review: "Rainbow"

Jenny Gheith 30 April 2005


“Hearing is not like seeing and seeing is different from living the experience,” reflects Shehada’s mother about life in Rafah. And for a week in May 2004, that experience worsened as Israeli forces pushed forward with “Operation Rainbow,” killing 45 Palestinians, 38 of them civilians including nine children. “The only thing we can do is pray to God.” This overwhelmingly distraught sentiment runs throughout Shehada’s newest documentary Rainbow (2004), which examines first hand the devastating effects of the events of May 13-May 20th. However, this film is not a documentary in the traditional sense — from the perspective of an outsider looking in. 

Film review: "The Eternal Dance"

Jenny Gheith 2 May 2005


The Eternal Dance (2003), the second film directed by noted Palestinian actress Hiam Abbas (Satin Rouge, Door to the Sun), is the beautifully poetic story of coming to terms with the loss of a loved one. Just shy of thirty minutes, each short scene commands heartfelt performances that tenderly reveal the emotion that death leaves in its wake. While on the surface the plot is simple, The Eternal Dance reveals itself to be much more. The Eternal Dance at times feels more like a stage play than a film, but this is not a bad thing. Every suggestive movement, silence and gesture builds to create an unforgettable film dealing with a highly significant subject. 

Film review: "Curfew"

Jenny Gheith 1 May 2005


It begins ordinarily enough — kids play soccer, people walk freely about the streets, and a mailman delivers letters from afar. This is Gaza in 1993, before the Oslo Peace Accords, and the setting for Curfew (1993), which was written and directed by Rashid Masharawi. “Always the same refrain. Tomorrow is another day and after that comes another day. And what will happen today?” Unfortunately, this day freedom will transform into restriction as Israeli soldiers call for a curfew that confines the Palestinian inhabitants to their homes; a restriction due to the ongoing occupation.