Reviews

Film review: "Land of '48"

Jenny Gheith 28 April 2005


A map abstractly records places, borders, and distance through line and shape. However, as a group of Palestinian refugees gather around a map that depicts Palestine before the Nakba, or the expulsion of 750,000 people from their lands and homes, these dots and letters do much more than just describe a location. They trigger memories of a land they once called home. Barrack Rima’s aptly titled documentary Land of ‘48 (2003) explores this deep connection to place through interviews conducted with refugees living in Lebanon, Syria, Jordan, the West Bank, and the Gaza Strip. 

Film Review: "Soraida, A Woman of Palestine"

Jenny Gheith 26 April 2005


Soraida, A Woman of Palestine (2004) is an outstanding documentary by Egyptian-born Tahani Rached. Rached, who has directed many documentaries that focus on the condition of women in the Middle East, compellingly turns her camera on Soraida Abed Hussein and her close circle of friends and family who live in Ramallah. Throughout, we casually observe the lives of these close-knit neighbors while they recall memories (at times even re-enacting them for the camera), discuss current events, and openly expose their fears and hopes, all while going about their daily activities. 

Film review: "Another Road Home"

Jenny Gheith 2 May 2005


At some point in our lives, we grapple with understanding our childhood relationships and seek to find answers to unresolved familial ambiguities. This is exactly what Israeli-born Danae Elon chooses to document in her honest film Another Road Home (2004). While Elon’s search focuses on finding one man, Mahmoud “Musa” Obeidallah, the Palestinian caretaker who helped raise her for twenty years of her life in East Jerusalem, her subsequent film openly exposes a unique side of Palestinian-Israeli relations. 

Film review: "Sense of Need"

Jenny Gheith 21 April 2005


Sense of Need (2004) begins simply enough with the main character narrating his life for the viewer. Almost switched at birth with a red-haired Jewish boy, Palestinian Joseph was born while Israel was at war with Egypt. At the age of seven his father bought him his first piano and then “began his life in color.” At first one might take this as purely a poetic metaphor, but this is not the case in newcomer Shady Srour’s psychologically complicated and loosely autobiographical plot. Srour, a man of many talents, wrote, directed, and produced his first full-length feature film. He also portrays the protagonist Joseph, a twenty-seven year old aspiring musician who lives in San Francisco and is just a week away from finishing his masters degree. 

Film review: Door to the Sun

Jenny Gheith 17 April 2005


Bab el Shams (Door to the Sun) is the most recent cinematic achievement from Egyptian director Yousri Nasrallah. Adapted from the novel by Lebanese writer Elias Khoury, this ambitious film takes on the weighty goal of covering roughly fifty years of Palestinian history, from 1943 to 1994, and centers around the lives of a group of Palestinian refugees. EI film critic Jenny Gheith writes that Nasrallah succeeds in his large-scale recreations of demanding passages in Palestinian history while infusing intimate scenes with a nuanced tenderness. 

Review: "Made In Palestine" exhibit

Rob Eshelman 12 April 2005


The contest between occupation and self-determination, history and erasure establishes the subject for the first contemporary exhibition of Palestinian artwork in the United States. Fittingly, and perhaps a bit defiantly, the show is titled Made In Palestine. The exhibition — on display from April 7th through the 21st at the SomArts Cultural Center in San Francisco’s South of Market district — is a collection of works from twenty-three artists, most of whom currently reside in Palestine. Included in the exhibition are two-dimensional works on paper or canvas, photos and sculpture, as well as textile and video installations. 

Thoroughly Palestinian Stories: A review of Suad Amiry's hit book "Sharon and my Mother-in-Law"

Maureen Clare Murphy 6 March 2005


Though for generations Suad Amiry’s family lived in historical Palestine, her toy Manchester terrier enjoys more political rights than her owner. Granted a coveted Jerusalemite passport by her Israeli veterinarian in a settlement nearby Ramallah, Amiry’s dog Nura is allowed to travel from Ramallah to Jerusalem, though Amiry’s West Bank I.D. forbids her from doing so. But because Amiry is Palestinian, and has lived a significant amount of her life under Israeli occupation and has developed the creativity such an existence demands, Amiry has been able to use this to her advantage. 

Film review: Paradise Now

Arjan El Fassed 23 February 2005


Hani Abu Assad’s Paradise Now won the AGICOA’s Blue Angel Award for the best European film at the Berlinale last week. The film has been acquired by Warner Independent Pictures in a North American and U.K. rights deal. Paradise Now is the story of two Palestinian childhood friends who have been recruited for a major operation in Tel Aviv. In the tag team of two young Palestinian men, Said and Khaled, director Hani Abu-Assad brings an intensely gripping tale of suicide bombing. 

Film Review: "The Syrian Bride"

Maureen Clare Murphy 2 February 2005


Though the film is called The Syrian Bride, the story is about much more than Mona the bride. Played by Clara Khoury (who also starred as a bride in Rana’s Wedding), Mona doesn’t have very many lines in this new Israeli film. Instead, she acts as a gravitational body that the main themes of the film orbit around — her sister Amal’s unhappy marriage, the problems of tribal politics, the Israeli occupation of the Syrian Golan Heights, and on a more abstract level, the broader political conflict in the Middle East. 

Film review: "Edward Said: The Last Interview"

Jenny Gheith 30 December 2004


Filmed within three days in 2002, just one year before his death at the age of 67, Edward Said: The Last Interview is a compelling portrait of a man who was not only a strong advocate of the Palestinian cause, but an accomplished teacher, literary critic, writer and musician. After living for more than ten years with a fatal strain of leukemia, which he was diagnosed with in 1991, Said refused interviews. However, former student D.D. Guttenplan along with director Mike Dibb convinced him otherwise. Jenny Gheith reviews the film for EI.