Reviews

Review: "Made In Palestine" exhibit

Rob Eshelman 12 April 2005


The contest between occupation and self-determination, history and erasure establishes the subject for the first contemporary exhibition of Palestinian artwork in the United States. Fittingly, and perhaps a bit defiantly, the show is titled Made In Palestine. The exhibition — on display from April 7th through the 21st at the SomArts Cultural Center in San Francisco’s South of Market district — is a collection of works from twenty-three artists, most of whom currently reside in Palestine. Included in the exhibition are two-dimensional works on paper or canvas, photos and sculpture, as well as textile and video installations. 

Thoroughly Palestinian Stories: A review of Suad Amiry's hit book "Sharon and my Mother-in-Law"

Maureen Clare Murphy 6 March 2005


Though for generations Suad Amiry’s family lived in historical Palestine, her toy Manchester terrier enjoys more political rights than her owner. Granted a coveted Jerusalemite passport by her Israeli veterinarian in a settlement nearby Ramallah, Amiry’s dog Nura is allowed to travel from Ramallah to Jerusalem, though Amiry’s West Bank I.D. forbids her from doing so. But because Amiry is Palestinian, and has lived a significant amount of her life under Israeli occupation and has developed the creativity such an existence demands, Amiry has been able to use this to her advantage. 

Film review: Paradise Now

Arjan El Fassed 23 February 2005


Hani Abu Assad’s Paradise Now won the AGICOA’s Blue Angel Award for the best European film at the Berlinale last week. The film has been acquired by Warner Independent Pictures in a North American and U.K. rights deal. Paradise Now is the story of two Palestinian childhood friends who have been recruited for a major operation in Tel Aviv. In the tag team of two young Palestinian men, Said and Khaled, director Hani Abu-Assad brings an intensely gripping tale of suicide bombing. 

Film Review: "The Syrian Bride"

Maureen Clare Murphy 2 February 2005


Though the film is called The Syrian Bride, the story is about much more than Mona the bride. Played by Clara Khoury (who also starred as a bride in Rana’s Wedding), Mona doesn’t have very many lines in this new Israeli film. Instead, she acts as a gravitational body that the main themes of the film orbit around — her sister Amal’s unhappy marriage, the problems of tribal politics, the Israeli occupation of the Syrian Golan Heights, and on a more abstract level, the broader political conflict in the Middle East. 

Film review: "Edward Said: The Last Interview"

Jenny Gheith 30 December 2004


Filmed within three days in 2002, just one year before his death at the age of 67, Edward Said: The Last Interview is a compelling portrait of a man who was not only a strong advocate of the Palestinian cause, but an accomplished teacher, literary critic, writer and musician. After living for more than ten years with a fatal strain of leukemia, which he was diagnosed with in 1991, Said refused interviews. However, former student D.D. Guttenplan along with director Mike Dibb convinced him otherwise. Jenny Gheith reviews the film for EI. 

Documentary film review: "Israeli Wall in Palestinian Lands"

Maureen Clare Murphy 15 December 2004


The new documentary The Israeli Wall in Palestinian Land is a prime example of how low-cost digital technology has great potential for activists - with a small camcorder, and some decent video editing software, one can make a finished film that can be cheaply burned onto DVDs or put up on a website. Like cheap 35 mm, Polaroid, and disposable cameras democratized photography, video as a medium is now highly accessible. But whether one makes the most out of the medium is another matter. EI’s Arts, Music, and Culture Editor Maureen Clare Murphy reviews the new film for EI. 

Review: The Shouting Fence

Arjan El Fassed 29 November 2004


The Culture Park Westergasfabriek in Amsterdam provided a natural setting for an unique performance of The Shouting Fence. This musical expression of emotions about the Separation Wall built in the occupied Palestinian territories was performed by at least 1,500 voices. Between what resembles concrete parts of the wall and the audience in the middle, between a fence and barbed wires, on two sides of the arena two large groups of singers shout, sing and whisper. Shouting Fence is a vocal story of a community split in two. EI’s Arjan El Fassed went to the premiere in Amsterdam and reviews this unique musical event. 

Documentary film review: "Mur" (Wall)

Arjan El Fassed 21 November 2004


Winner at festivals in Marseille and Jerusalem, Simone Bitton’s Franco-Israeli “Mur” (Wall), is about Israel’s Apartheid Wall. EI’s Arjan El Fassed saw this documentary during the seventeenth international documentary filmfestival in Amsterdam (Netherlands) which opened on 18 November. Mur (“Wall”) is nominated for the Amnesty International-DOEN Award, one of the awards presented at the festival. After the screening the audience got to ask Bitton some questions. “The moment I heard about the barrier going up, June 2002, I had to make this film,” she said in Cinerama 2 in Amsterdam. 

Documentary film review: "Checkpoint"

Maureen Clare Murphy 15 October 2004


“When the Palestinians come we put on our show,” says a youthful Israeli soldier manning a checkpoint at Nablus’ Jericho road. This “show,” as it is richly documented in the new Israeli film Checkpoint, serves a seemingly dual purpose. First and foremost, it is intended to remind Palestinians just who is in power; and secondly, it serves as a form of entertainment to the young Israelis whose compulsory military service finds them wasting their time and talents at these roadblocks in the occupied Palestinian territories. 

Book Review: Bethlehem Besieged

Arjan El Fassed 19 August 2004


Palestinians should have the permission to narrate their own lives, their own hopes, their own history. Putting tragedies, events and experiences into words help ease turmoil and defuse the terror. Writing provides a sense of control and a sense of understanding. For some, writing is a struggle, a matter of survival. As eyewitnesses of tomorrow’s news, we cannot hope to understand what is going on without access to alternative information resources. The compelling stories of Mitri Raheb, a Palestinian Christian pastor of the Evangelical Christmas Church where he ministers to his people in Bethlehem, gives us a window not only into what it is like to have grown up under occupation but also into his soul.