Reviews

Film review: "Aftershock" exposes IDF soldiers' psychology


“Whilst I was there, I lost all my faith in the Israeli army. They put it right in your face: ‘Go be the oppressors for your people. Force yourselves upon them.’ They told us … ‘take these bats wrapped up in plastic and … calm things down’ … We had skulls on our helmets, dude. We walked around with machetés, all kinds of crazy stuff. Sheriff badges. We’d improvise some very unique solutions.” This is Ehud, speaking 12 years after having served in the occupied Palestinian territories. Like the thousands before him, he was a paratrooper in the Israeli army during the first Palestinian intifada (1987-1993). 

Review: "Death in Gaza"


The 77-minute HBO/Channel 4 production Death in Gaza is a story about the last moments of the life of award-winning British cameraman James Miller, 1968-2003. Miller travelled to the occupied Palestinian territories to make a film on children and was fatally shot by an Israeli soldier when filming in Rafah. The film’s commentator, Saira Shah, is an award-winning journalist of Afghan-Scottish decent. Miller and Shah had collaborated on other award-winning documentaries such as Beneath the Veil and Unholy War (Channel 4 / CNN), both filmed in Afghanistan. 

Review: Elias Chacour: Prophet in His Own Country


Rolling hills unmarred by the hands of man, the water of the Jordan river trickling along its way, olive trees rustling in the breeze — this is the land of the Galilee that Melkite priest Elias Chacour so loves, and this is the imagery he says Jesus enjoyed when he was living in what is now referred to as the Holy Land. To understand Chacour’s background is to understand his connection, and his family’s ties, to the land of the Galilee, and so it is appropriate that filmmaker Claude Roshem-Smith opens with beautiful scenes of Galilean pastoral greenery in his biographical film Elias Chacour: Prophet in His Own Country

Documentary film review: "Keys"


“Mafateeh,” or “keys,” is a word that holds symbolic meaning for Palestinians, and refugees in Rafah, Amman, and Jenin alike can show you the keys to their houses that they temporarily fled or were expelled from during the time leading up to and during the 1948 war. And like Ali Nimer Harami does in the film Keys, these refugees can show you well-preserved pieces of paper that prove their legal claim over land that is currently inhabited by Jewish Israelis in what is now Israel. Maureen Clare Murphy reviews the beautifully shot film for EI

Review: "A Stone's Throw Away" and "The Children of Ibda'a"


Both of the films A Stone’s Throw Away and The Children of Ibdaa investigate the thoughts and lives of a handful of children from the Deheisheh refugee camp, an impoverished refugee town on the outskirts of Bethlehem. Together, they illustrate that what drives Palestinians to commit violence, and how children need something to make their lives meaningful given the humiliation and lack of opportunity that come with living under Israeli military occupation. 

Review: "Route 181: Fragments of a Journey in Palestine-Israel"


Capturing the fragments of a land shattered by politics, history, and colonialism, Route 181: Fragments of a Journey in Israel-Palestine, clocks in at about four and a half hours. The film’s length is epic-worthy, but it allows the filmmakers to present oral history from a wide variety of people who live along the 1947 partition line, while at the same time allow for minutes-long footage of the monotonous grey concrete wall that quietly runs along one of the region’s main roads. By portraying both the divide of the physical landscape and that of the humans that inhabit it, viewers receive a fuller understanding of this conflicted part of the world. 

Film review: "Planet of the Arabs" and "Arabs A Go-Go"


Based off of Jack Shaheen’s excellent anthology Reel Bad Arabs, which categorically catalogues depictions of Arabs in American film, Planet of the Arabs, while not without humor, reminds us that racist depictions of Arabs in American entertainment is a huge problem. And Arabs A Go-Go is Jacqueline Salloum’s modest attempt to contradict the racist tripe that Hollywood presents as Arab culture. Maureen Clare Murphy reviews the two short films, featured in the Chicago Palestine Film Fest, for EI

Film review: Remembering Palestine and Writers on the Borders


Like every other aspect of Palestinian life, art and culture, though not destroyed, have been crushed under the heavy weight of the Israeli occupation’s tanks and curfews. The documentary films Writers on the Borders and Remembering Palestine feature international writers and artists who visit Palestine and find a shocking landscape of destruction. But, as the narrator Dominique Dubosc explains in Remembering, the question is not so much one of succeeding to restart art schools in the West Bank and Gaza, as being there to bear witness. 

Film review: Jihad!


Boldly using one of the most misused words in the U.S. press as its title, a word that strikes at the greatest anxiety of Americans towards Islam, the new feature film Jihad! informs its viewers that what the word is really about is zeal and struggle. Following Ed, a young Palestinian New Yorker who struggles between his homeland’s tradition and the American lifestyle, the film stresses that the most important jihad is the struggle within oneself. Read the review of Palestinian-American Muhammed Rum’s film, to be premiered at the Chicago Palestine Film Festival this week. 

Film review: Ford Transit


“Staying in one place is killing me,” says Rajai, the charismatic West Bank refugee who serves as the center of the Palestinian feature film Ford Transit. Although this comment was made while explaining his unorthodox career choice of being a taxi driver, Rajai’s attitude can be applied on a larger level to describe the feeling of a generation of refugees who live under the thumb of Israeli occupation. Read the rest of the review of this excellent new film by acclaimed Palestinian director Hany Abu Asad.