Reviews

Review: Palestinian Revolution Cinema

Maureen Clare Murphy 9 May 2007


Hamid Dabashi, founder of the Dreams of a Nation: A Palestinian Film Project, has said that one of the distinguishing qualities of Palestinian national cinema is that it has and continues to be produced during the throes of trauma. This stands apart from other national cinema (German, Italian, and Iranian, to name a few) which came to maturity through dealing with past national trauma. However, there has never been a Palestinian-produced feature film focusing on the Nakba. Yet, the Nakba is at the core of Palestinian cinema, as exemplified by the Palestinian Revolution Cinema series curated by Palestinian artist Emily Jacir. 

Book Review: The Scar of David

Sanna Nimtz Towns and Joseph F. Towns 27 April 2007


Susan Abulhawa’s first novel, The Scar of David, is an intricately woven tapestry of historical fiction chronicling the Palestinian Abulheja family over four generations. The novel begins in Ein Hod, the village where patriarch Yehya Abulheja, a peasant olive farmer, and his family, wife Basima and sons Hasan and Darweesh, live. This land of olive trees has been nurtured by Yehya’s relatives and ancestors for over forty generations. We witness the simple and charming life of these peasants when son Hasan, on errands for his father to the Old City in Jerusalem, meets with his best friend Ari Perlstein; both boys share their lives, families and dreams with each other. 

Film Review: "It's Not a Gun"

Maureen Clare Murphy 20 April 2007


What role can music play in confronting the Israeli occupation? This is the question posed yet not definitively answered in Helena Cotinier and Pierre-Nicolas Durand’s documentary It’s Not a Gun, which follows Palestinian musician Ramzi Aburedwan as he realizes his dream of establishing a music education school in Palestine as part of his al-Kamandjati (meaning “the violinist”) project. Ramzi, who grew up in Ramallah’s Al-Amari refugee camp, says, “I spent my whole childhood during the first intifada throwing stones. And then, by chance, I had the [opportunity] to play music.” 

Film Review: "Goal Dreams"

Lena Khalaf Tuffaha 18 April 2007


In the midst of the relentless daily hardship that they endure, a Palestinian sports commentator says of his own people that they will drop everything they are doing to watch their beloved national soccer team play. He describes the Palestinian national team’s bid to qualify for the World Cup in 2006 as “one of our most beautiful dreams.” The commentator’s words set the tone for the documentary film Goal Dreams (directed by Maya Sanbar and Jeffrey Saunders). 

Film review: Belonging

Ali Abunimah 15 April 2007


“What does it mean to be Palestinian when you have never been to Palestine?” That question was posed during a recent visit to Qatar where I met a number of Palestinian high school students living there. Although each had a very strong sense of pride in his Palestinian identity — as well as an awareness that he was denied access to other nationalities and identities — none had ever visited Palestine. Like millions of other Palestinians in exile these students are forbidden from even visiting the country their families left, due to racist laws that make it freely accessible only to those Israel recognizes as Jews. 

Chicago Palestine Film Festival shorts reviewed

Maureen Clare Murphy 11 April 2007


The short films featured at this year’s Chicago Palestine Film Festival neatly demonstrate the wide spectrum of Palestinian cinema and cinema on Palestine. The shorts range from a contemplation of the mloukhieh dish (don’t make the mistake of comparing it to spinach!) to a young Palestinian boy in America trying to join the ranks of the cowboys in his neighborhood’s play of “cowboys and Indians.” Showing with Leila Khaled, Hijacker the opening night of the festival, Make A Wish stands out amongst the shorts. 

Violence or nonviolence? Two documentaries reviewed

Maureen Clare Murphy 9 April 2007


When she hijacked two planes over thirty years ago, refugee Leila Khaled helped put the Palestinian struggle on the international radar. A generation later, however, the realization of Palestinians’ rights is elusive as ever and the tactics of their resistance are increasingly scrutinized. The limits of resistance are examined in Ronit Avni and Julia Bacha’s documentary Encounter Point as well as Lina Makboul’s Leila Khaled, Hijacker. 

Film review: "Summer 2006, Palestine"

Shuruq Harb 28 March 2007


Summer 2006, Palestine — a crossover between film, video art, individual expression and a collective voice — is a unique experience in the Palestinian cultural scene. This collection of short films brings together 13 individual artists with different degrees of experience within the Palestinian film scene and other visual arts disciplines to convey the summer of 2006 in Palestine. The project is the result of an initiative led by several Palestinian filmmakers from the Palestinian Filmmakers’ Collective. 

Requesting Permission to Narrate: "Dreams of a Nation" Reviewed

Alexander Provan 6 March 2007


Since 1948, Palestinians have not only occupied the painful position of many oppressed peoples who are systematically displaced, disenfranchised, denationalized, brutalized and murdered; they have also been put in the awkward, even tragicomic, position of having to convince the rest of the world of their very existence. This problem of visibility lies at the heart of Dreams of a Nation: On Palestinian Cinema, an illuminating, if incomplete, anthology of essays on the efforts of Palestinians to represent themselves on film to the world and to each other. 

Book review: Two Palestinian women recall their lives in exile

Maureen Clare Murphy 18 February 2007


Both Salwa Salem’s and Ghada Karmi’s childhoods were violently disrupted by what Palestinians call al-Nakba, or the Catastrophe — the involuntary mass exodus of nearly three quarters of the Palestinian population when the State of Israel was established in 1948. Marking the destruction of their country, this event would define their lives as ones of exile. In their respective memoirs, The Wind in My Hair and In Search of Fatima: A Palestinian Story, Salem and Karmi recall idyllic childhoods in Palestine before 1948 in a society rich with culture and defined by the extended family. Their individual experiences, chronicled in their engrossing works, give a window into that of a generation of Palestinians born into dispossession.