Arts and culture

Film review: Rana's Wedding

Maureen Clare Murphy 29 April 2003



It is not often that movie audiences, American ones especially, see a female heroine that doesn’t need a man to save her or doesn’t wear stiletto heels and a short skirt while overcoming hurdles. And that’s why I like Rana of Rana’s Wedding so much. Not only was she smart enough to wear sensible shoes and comfortable clothes while running through town searching for her boyfriend, but she solved her problems all on her own. EI writer Maureen Clare Murphy reviews “Rana’s Wedding” at the Chicago Palestine Film Festival. 

Film reviews: Nizar Hassan's "Istiqlal" and "Invasion"

Maureen Clare Murphy 29 April 2003



There are a lot of difficult questions that Americans, Israelis, and Palestinians alike must ask themselves in order to better understand this conflict that they are all a party to. Director Nizar Hassan is not afraid to critique attitudes, primarily among Palestinians, that he finds problematic. By using his own quest for answers as an example, he reflects to his audience that they too can get a dialogue rolling. EI contributor Maureen Clare Murphy reviews two films at the Chicago Palestine Film Festival. 

Documenting the Occupation: Director Yahya Barakat discusses working under Israeli military rule

Maureen Clare Murphy 22 April 2003



To conceive a film or video and execute it successfully is a challenge for any experienced director. But add a military occupation into the mix — with its checkpoints, invasions, and violence — and the difficulty is increased exponentially. Yahya Barakat, who has seven documentaries under his belt and spoke with The Electronic Intifada during the Chicago Palestine Film Festival, has met the challenge of working under an occupation and and tackles its stories in his work. EI contributer Maureen Clare Murphy reports. 

Review: Diary of a Male Whore

Maureen Clare Murphy 21 April 2003

In Tawfiq Abu Wael’s Diary of a Male Whore, the main character, a young man who states, “My physical pleasures make me forget the hunger,” finds that humiliation is the way of life in an occupied land. EI contributer Maureen Clare Murphy reviews the film at the Chicago Palestine Film Festival. 

Review: Lord's Song in a Strange Land

Maureen Clare Murphy 21 April 2003

Nicholas Dembowski’s video, Lord’s Song in a Strange Land is a clever montage of found footage from Hollywood movies, cable news networks, European news stations, old Western films and edited it as though to let his viewers channel surf through the American media’s representation of what it considers “the Arab world.” EI contributer Maureen Clare Murphy reviews the film at the Chicago Palestine Film Festival. 

Second Annual Chicago Palestine Film Festival to be held April 17-25

7 April 2003

Chicago will host its second annual Chicago Palestine Film Festival from April 17-25 2003. The festival will feature over 30 films including Hany Abu Assad’s Rana’s Wedding: Jerusalem, Another Day, an official selection for the 2003 Cannes Film Festival, Jeremy Hardy vs. the Israeli Army, a film by the London-based Palestinian filmmaker Leila Sansour, and Genet à Shatila from Swiss director Richard Dindo. 

"On the brink of..."

Suheir Hammad 19 March 2003

“This is not a poem. This is not a threat. / This is a promise. / God has a better imagination / than all of us combined and I do not / know what form retribution will take / but I have seen karma happen and it will / again, and when it does I will chant / the names of the innocent and I will stand / with those who have kept their hands clean of blood/ and their hearts clear of hate.” Poet Suheir Hammad offers an elegy for the life and work of Rachel Corrie. 

Ninja in Nazareth

Goel Pinto 9 February 2003

“When people ask me if the film is about the occupation of the Palestinian people, I say right away that this isn’t a film about anything. If it has to be reduced to one subject, I say it’s a film about occupation in the world as a whole — it focuses on Israel only because Israel serves as a kind of microcosm.” Elia Suleiman, director of the award-winning film “Divine Intervention,” which has just opened in Israel, talks to Goel Pinto of Ha’aretz about the ideas behind the film. 

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