Over the last fifteen years or so, multiculturalism in children’s literature has brought some much-needed attention to the Middle East. But what about the Palestinians — key players in the most controversial issue in the whole region? Do Palestinians benefit from the open-minded approach promoted by multiculturalism — the basic idea that all cultural, national, and ethnic groups are worthy of positive attention and deserving of respect? Elsa Marston reports for EI on the representation of Palestinians in children’s literature, which has a lasting impression on readers and shapes their future perceptions of the world and its peoples. Read more about More than just stories: The portrayal of Palestinians in American children's literature
Painter John Keane, who was has travelled to the occupied Palestinian territories, juxtaposes historical and current concerns through traditional and contemporary techniques in his work. Deeply impacted by what he saw, Keane’s paintings in his current exhibition The Inconvenience of History - Paintings from the West Bank and Palestine reflect the despair, humiliation, and the brutality Palestinians suffer under Israeli military occupation. His exhibition has been met with controversy, but will still travel Belfast and Ramallah after concluding in London. Nina Malmsten reports for EI. Read more about Artist John Keane revisits Palestine’s obliterated past and present
The figures in Zahi Khamis’ paintings have twisted necks, their almond-shaped eyes peering upside down, tragically staring out at a land they will never know. The visual experience of the exhibit Of Exile and Return replicates the emotional experience of pain, love, longing and fear that Palestinians feel as they struggle to define themselves. Khamis, a Palestinian who has lived in the US for 22 years, sees his paintings as a commentary not only on Palestinians exiled from their homeland, but on humanity as a whole, for whom home plays a central role in defining the self. Read more about Palestinian painter portrays raw emotions of Palestinians who long to go home
An obscene monument to the belief that “too much is never enough,” Israel’s monstrous Apartheid Wall is a visible indictment of the racist folly of forcibly separating people from each other and the places they love. The visual and moral affront of the Apartheid Wall prompted these observations, expressed through a subtle Japanese poetic form, the haiku. An ancient Japanese literary form, the haiku embodies the principle that “less is more” and delights in mixing categories and crossing boundaries through the magic of metaphor. Read more about Warsaw Ghetto Abu Dis: Five haikus on the Apartheid Wall
Photographs, sound effects, replicas of barrier give visitors feeling of imprisonment, suffocation experienced by Palestinians
The horrifying illusion of a journey through prison confronts anyone visiting the first extensive exhibition on the separation wall that Israel is building on occupied West Bank land. Combining photography, sound effects, replicas of the Israeli-built double walls, medieval-style observation towers, and barbed wire ripping through seized land, the Stop the Wall exhibition, which opened in Amman on Saturday, triggers feelings of pain, anger and claustrophobia. Read more about Exhibit in Amman conveys horrors of Israel's separation wall
“If you want the conflict to end and you want peace, can you really afford to ignore their points of view? Go ahead; try to make peace without the Palestinians, without understanding Palestinians’ experiences and their goals as they see them. They’re going to be at war for generations — go ahead,” Wendy Pearlman, author of Occupied Voices: Stories of Everyday Life from the Second Intifada, tells EI’s Maureen Clare Murphy. Pearlman , who interviewed 27 West Bank and Gazans for her new work oral history, explains to EI the challenges to publishing a book dedicated to understanding the hardships endured by Palestinians under Israeli military occupation. Read more about Interview: Wendy Pearlman, author of 'Occupied Voices: Stories of Everyday Life from the Second Intifada'
“Like Twenty Impossibles” is the work of Annemarie Jacir, co-written with Kamran Rastegar. Jacir is a Palestinian filmmaker, activist, and poet living between New York City and Palestine. The 17-minute short mockumentary tells the story of a journey in a country where checkpoints and a sinister patchwork of controlled areas make freedom of movement itself impossible, aptly portraying the complexities of oppression with a cast and crew that understand it. It is shot on location in Palestine, and the images of guns and power overwhelm the viewer as well as the waylaid film crew. Read more about Film Review: Like Twenty Impossibles (2003)
Dan Walsh, creator of the online exhibition Antonym/Synonym: The Poster Art of the Israeli-Palestinian Conflict, thinks that taking a look at political posters can enable “a new democratic discussion.” His website, Liberation Graphics, which features over 100 posters, a mere fraction of his collection, can only be described as a labor of love. Each poster is catalogued with an essay that both analyzes the poster’s formal and conceptual qualities, and places the subject matter within a brief historical context. Read more about Review: Poster art of the Israeli-Palestinian conflict
The interviews by David Barsamian with Edward Said in the new book Culture and Resistance: Conversations with Edward Said do not provide any in-depth analysis on a given topic. But they rather serve as meditations - if one can consider Osama bin Laden, malnutrition in Gaza, and misunderstandings between the U.S. and the Arab world topics for meditation. Not intended to provide precise, detailed historical analysis of the Israeli-Palestinian conflict, the book rather functions to provide a unique perspective on some of the most important problems that plague the world by one of the world’s preeminent thinkers. Maureen Clare Murphy reviews the book for EI. Read more about Edward Said puts the Palestinian narrative of struggle in a global context in “Culture and Resistance”
Comprised of teenagers from the Dheisheh Refugee Camp in the West Bank, the Ibdaa dance troupe performs internationally, has been featured in documentaries, and are no strangers to the press. And while to some this may seem like a glamorous lifestyle, it seems to the performers it’s anything but. Having to repeatedly communicate to American audiences the every day struggles that come with life under military occupation is disheartening when they return to the West Bank to find that the status quo of curfews and human losses continues unabated while the whole world watches. Read more about Photostory: Dancing towards freedom
