Arts and culture

Review: 'Palestine' By Joe Sacco

Charles Shaar Murray 4 February 2003


Buy Sacco’s Palestine from Amazon.com
“In 1991-2, Sacco, having “heard nothing but the Israeli side”, toured the occupied territories, seeking to immerse himself in Palestinian existence. The fruit of his labours emerged as a mini-series of nine comics, now a single set with an introduction by one of Sacco’s primary influences, Edward Said. Sacco is formidably talented. A meticulous reporter, he scrupulously interprets the testimonies of dozens of victims of the Israeli regime into cartoon form. He is also a gifted artist whose richly nuanced drawings tread a delicate path between cartoonishness and naturalism. His layouts shift in style to match the material: stories told to him emerge in symmetrical panel grids, while incidents in which he is involved, or engage his emotions, are rendered in a far looser style, in which images and captions slide across the page. ” Charles Shaar Murray reviews Palestine in the Independent. 

Review: "Real DJs do Real Things" by DJ K-Salaam

Ismail Khalidi 27 January 2003


Above: Real DJs do Real Things cover.
Although over 20 years old, hip-hop culture does not seem to have fulfilled the potential it once showed to become a serious political force in the U.S. Is there any hope for rappers to speak up and have their voices heard in a political climate much in need of constructive and intelligent dissent, debate and resistance? Ismail Khalidi reviews DJ K-Salaam’s album, Real DJs do Real Things and discovers that DJ tackles the taboo of the Israeli-Palestinian conflict — largely untouched in the music industry as well as in showbiz in general. Much like the inventive, hard-hitting beats and musical collages on his album, Salaam is similarly courageous in his liner notes as he makes a plea for justice for the Palestinian people. 

Review of Bernard Lewis' "What Went Wrong: Western Impact and Middle Eastern Response"

Juan Cole 27 January 2003

With regard to the Middle East, what does he mean by the question “what went wrong?” Does he mean to ask about economic underdevelopment? About lack of democracy? About a failure to contribute to scientific and technological advances? About ethnocentrism? All of these themes are mentioned in passing, but none is formulated as a research design. Michigan history proffesor Juan Cole reviews Bernard Lewis’ book. 

'Divine Intervention' features at Rotterdam International Film Festival

Arjan El Fassed 20 January 2003



The award-winning Palestinian film Divine Intervention, directed by Elia Suleiman, will feature during the Hubert Bals Fund Harvest at the showcase for contemporary world cinema, the Rotterdam International Film Festival in the Netherlands. Moreover, ‘Divine Intervention’ is nominated for the Amnesty International -DOEN Award, a prize for films about human rights. 

Video Petition Project on Exhibit at Chicago's Museum of Contemporary Art

Artist Emergency Response 18 January 2003

As part of the show entitled “War (What is it Good For?)”, the Artist Emergency Response collective will present the first version of its ongoing Video Petition Project. An hour and a half long, this video documents the first 200 petitioners who gave face and voice to the growing number of North Americans who oppose the Israeli Occupation of the West Bank and the Gaza Strip. An AER press release offers more information 

'Divine Intervention' opens in NYC on January 17th

Keith Icove 14 January 2003

Avatar Films’ latest release, the critically acclaimed Divine Intervention, opens on Friday January 17, 2003, at the Angelika Film Center in Manhattan. The film is the first Palestinian work to receive a full American release. In this article, Keith Icove, VP of Business Affairs at Avatar Films, offers information about the initial screening and subsequent showings in NY, NJ, DC, and CA. 

'When we started shooting, so did they'

Xan Brooks 13 January 2003



When Elia Suleiman brought his film Divine Intervention to Ramallah he found the Israeli soldiers had got there first. The entrance to the cinema had been bombed, the cash till rifled, the Dolby stereo stolen. It was never going to be easy for a Palestinian to film in the West Bank. Elia Suleiman tells The Guardian’s Xan Brooks how he became a hit-and-run director . 

Israeli film board bans "Jenin, Jenin"

Joshua Mitnick 1 January 2003

“I was searching for the humane side of people’s dreams, people’s hunger and people’s disappointments. I was not looking for numbers, who is right, or why this happened,” Bakri said. “For me, it’s a prayer to stop this hell we are living in.” Joshua Mitnick of the New Jersey Star Ledger reports on a censorship move that calls Israeli democracy into question. 

"Gaza Strip" director to return student Academy Award to protest exclusion of Palestine

Ali Abunimah and Benjamin J Doherty 20 December 2002



James Longley, director of the acclaimed 2001 documentary “Gaza Strip” will return the prestigious Student Academy Award he received from the Academy of Motion Picture Arts and Sciences (AMPAS) unless the Academy explains why it has deemed Palestine ineligible to enter the Oscars competition. Read the story and the full interview with EI. 

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