What role can music play in confronting the Israeli occupation? This is the question posed yet not definitively answered in Helena Cotinier and Pierre-Nicolas Durand’s documentary It’s Not a Gun, which follows Palestinian musician Ramzi Aburedwan as he realizes his dream of establishing a music education school in Palestine as part of his al-Kamandjati (meaning “the violinist”) project. Ramzi, who grew up in Ramallah’s Al-Amari refugee camp, says, “I spent my whole childhood during the first intifada throwing stones. And then, by chance, I had the [opportunity] to play music.” Read more about Film Review: "It's Not a Gun" 

In the midst of the relentless daily hardship that they endure, a Palestinian sports commentator says of his own people that they will drop everything they are doing to watch their beloved national soccer team play. He describes the Palestinian national team’s bid to qualify for the World Cup in 2006 as “one of our most beautiful dreams.” The commentator’s words set the tone for the documentary film Goal Dreams (directed by Maya Sanbar and Jeffrey Saunders). Read more about Film Review: "Goal Dreams" 

“What does it mean to be Palestinian when you have never been to Palestine?” That question was posed during a recent visit to Qatar where I met a number of Palestinian high school students living there. Although each had a very strong sense of pride in his Palestinian identity — as well as an awareness that he was denied access to other nationalities and identities — none had ever visited Palestine. Like millions of other Palestinians in exile these students are forbidden from even visiting the country their families left, due to racist laws that make it freely accessible only to those Israel recognizes as Jews. Read more about Film review: Belonging 

The short films featured at this year’s Chicago Palestine Film Festival neatly demonstrate the wide spectrum of Palestinian cinema and cinema on Palestine. The shorts range from a contemplation of the mloukhieh dish (don’t make the mistake of comparing it to spinach!) to a young Palestinian boy in America trying to join the ranks of the cowboys in his neighborhood’s play of “cowboys and Indians.” Showing with Leila Khaled, Hijacker the opening night of the festival, Make A Wish stands out amongst the shorts. Read more about Chicago Palestine Film Festival shorts reviewed 

When she hijacked two planes over thirty years ago, refugee Leila Khaled helped put the Palestinian struggle on the international radar. A generation later, however, the realization of Palestinians’ rights is elusive as ever and the tactics of their resistance are increasingly scrutinized. The limits of resistance are examined in Ronit Avni and Julia Bacha’s documentary Encounter Point as well as Lina Makboul’s Leila Khaled, Hijacker. Read more about Violence or nonviolence? Two documentaries reviewed 

Summer 2006, Palestine — a crossover between film, video art, individual expression and a collective voice — is a unique experience in the Palestinian cultural scene. This collection of short films brings together 13 individual artists with different degrees of experience within the Palestinian film scene and other visual arts disciplines to convey the summer of 2006 in Palestine. The project is the result of an initiative led by several Palestinian filmmakers from the Palestinian Filmmakers’ Collective. Read more about Film review: "Summer 2006, Palestine"