Maureen Clare Murphy

“If you want the conflict to end and you want peace, can you really afford to ignore their points of view? Go ahead; try to make peace without the Palestinians, without understanding Palestinians’ experiences and their goals as they see them. They’re going to be at war for generations — go ahead,” Wendy Pearlman, author of Occupied Voices: Stories of Everyday Life from the Second Intifada, tells EI’s Maureen Clare Murphy. Pearlman , who interviewed 27 West Bank and Gazans for her new work oral history, explains to EI the challenges to publishing a book dedicated to understanding the hardships endured by Palestinians under Israeli military occupation.

David Hirst worked as The Guardian’s Middle East correspondent from 1967 to 2001, and authored the classic book The Gun and the Olive Branch: The Roots of Violence in the Middle East, which was published in its third edition in 2003 with a new 120 page foreword. From Beirut, Hirst spoke with EI on the bias of the American media towards Israel in its coverage of the conflict, the implications of Israel’s nuclear aresenal, and how Israel is more of a strategic liability than asset for the U.S. Listen to the interview or read the interview on EI.

The interviews by David Barsamian with Edward Said in the new book Culture and Resistance: Conversations with Edward Said do not provide any in-depth analysis on a given topic. But they rather serve as meditations - if one can consider Osama bin Laden, malnutrition in Gaza, and misunderstandings between the U.S. and the Arab world topics for meditation. Not intended to provide precise, detailed historical analysis of the Israeli-Palestinian conflict, the book rather functions to provide a unique perspective on some of the most important problems that plague the world by one of the world’s preeminent thinkers. Maureen Clare Murphy reviews the book for EI.

Comprised of teenagers from the Dheisheh Refugee Camp in the West Bank, the Ibdaa dance troupe performs internationally, has been featured in documentaries, and are no strangers to the press. And while to some this may seem like a glamorous lifestyle, it seems to the performers it’s anything but. Having to repeatedly communicate to American audiences the every day struggles that come with life under military occupation is disheartening when they return to the West Bank to find that the status quo of curfews and human losses continues unabated while the whole world watches.

A concert memorial celebrating the life and work of Edward Said, performed by Daniel Barenboim and other musicians involved with their West-Eastern Divan workshop, which gathers outstanding young musicians from Israel and Arab countries, and puts them together into one orchestra, demonstrated that music offers a space for fundamental human connection. Baremboim also emphasized to the audience that they must carry on Said’s fight for social justice in Palestine and elsewhere. Maureen Clare Murphy reports.