The Arab World and Palestine’s first rap group, DAM, play their first-ever U.S. show in New York City. Download the DAM track “Born Here” below! (Photo: Nigel Parry)
As I walk down the darkened staircase into a muggy basement in this lower eastside dive bar, a scruffily bearded supporter smiles and waves a four-foot wide Palestinian flag. The chatter begins as the room fills with anxious people awaiting the show. The young crowd came out to support Free the P, the new CD compilation of “hip-hop and spoken word, dedicated to the youth of Palestine.” The proceeds will go to Slingshot Hip-hop, “a documentary film that focuses on the daily life of Palestinian rappers living in Gaza, the West Bank and inside Israel.” Within moments, our hostess, Arab-American comedienne Maysoon Zayid, takes the ground level, makeshift stage and gets the crowd going with her dry, political humor.
Shortly afterward, La Bruja hops on the mike, entertaining the crowd with her multitalented combination of poetry, song, rap and Reggaeton. This Bronx born artist’s songs are infused with a mix of politics, humor, and raunchy jokes. Appreciative of La Brjua’s performance, DJ Kuttin Kandi grins and spins in the background.
Akil Dassan (Photo: Remi Kanazi)
Invincible drove twelve hours from Detroit to perform at the show. Download her track below! (Photo: Remi Kanazi)
The media circus around the performers, and DAM in particular. (Photo: Nigel Parry)
Anthony Morales (Photo: Remi Kanazi)
With lyrics promoting the Palestinian cause, Invincible impresses the crowd with her track “No Compromises,” featured on Free the P.
The track “George Bush Doesn’t Care About Black People,” lays the base for the next rapper, Chosan. He reflects how the basement is like Africa when the lights go down then comments on the pervasive injustice in Sierra Leone, Sudan and Palestine.
Other highlights of the night were Anthony Morales, who opened the evening with spoken word focusing on Puerto Rican and minority pride.
Special guest and phenomenal rapper Immortal Technique stimulated the audience with a one-song performance. “The government laughs at you,” he declares. He breaks down the reality: many drove down to the show in their cars guzzling the gas the government fed them, eating McDonalds and fueling the corporate sponsorship. “Boycott!” he exclaims. The only way to defeat the injustice sustaining Palestinian misery is to boycott the legs they stand on.
Immortal Technique performs at the show. (Photo: Nigel Parry)
Met with an explosion of cheers and roars reminiscent of opening day at Yankee stadium, DAM, the Lidd-based Palestinian rap trio closed the show. They performed several songs, including “Stranger in My Own Country,” a song which articulates the struggles of being Palestinian living in Israel. DAM gave a brief English synopsis of each song before cutting back to rap in Arabic. They made jokes about the occupation and how Arab companies won’t pick up their record because they are Palestinians who happened to be born in Israel. Video recorders documented this group’s charged American debut as cameras flashed and the crowd waved their fists in solidarity.
Tamer Nafar explains his position on Palestinian flags with pictures of the Al-Aqsa Mosque on them. (Photo: Nigel Parry)
After playing two songs, Tamer Nafar, DAM’s most vocal member, looked to the supporter waving the Palestinian flag and spoke his mind, “It’s not that I don’t love the flag. I do.” He went on to explain that the flag bore the picture of the Al Aqsa Mosque as its centerpiece. “I love the Al Aqsa Mosque.” he remarked. Yet, Nafar doesn’t want the Palestinian flag to be altered with a symbol of exclusion, like the Israeli flag, which focuses on the Star of David. Nafar noted that “Muslims, Christians and Jews” made up Palestine before Zionist gangs pillaged the state, and emphasised that the injustice and racism which has enveloped the Israeli state cannot suffocate or hinder the Palestinian cause, which seeks justice, unity, and peace for all Palestinians. The audience of Muslim, Christians, and Jews erupted as the beat rolled on in the background.
Remi Kanazi is the primary writer for the political website www.PoeticInjustice.net. He lives in New York City as a Palestinian freelance writer and can reached via email at email@example.com
DOWNLOAD THREE FREE TRACKS
FROM FREE THE P HERE!
Cover of the FREE THE P album
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