The Electronic Intifada

Theatre review: "Sunlight at Midnight"


Sunlight at Midnight explores one man’s existential crisis as circumstances around him force him to confront his identity, his heritage, and his people’s history. Using oral histories from Sabra and Shatila refugee camp, television footage, and live music, Sunlight at Midnight successfully transports the audience into the refugee camps and back into one man’s uncomfortable psyche. Natasha Tsangarides reviews for EI

Gaza residents unable to get medical care, aid workers say


JERUSALEM, 25 October (IRIN) - Dozens of patients in the Gaza Strip are unable to receive medical treatment, in some cases life-saving procedures, due to the continued border closures with Israel and Egypt, health officials and international aid workers said. “At least three patients denied exit permits have died since June, and others have lost limbs or sight,” Human Rights Watch reported. 

A life cut short


Five-month-old Eyad is one of the happiest babies I’ve ever met. Barely touch his cheeks and he smiles and giggles; tickle his little belly and he bursts out in laughter, kicking his feet up in the air. Jamalat, his mother, says his laughter is a blessing from God for it fills her heart with joy and takes away some of her heartbreak and sorrow. Yassmin Moor writes from Gaza. 

Photostory: Bil'in, the art of shaking off


In January 2005 the people of the West Bank village of Bil’in began holding weekly demonstrations demanding access to their farmlands that had been cut off by the Israeli separation barrier. During that time of popular and nonviolent struggle the response by the Israeli army intensified and grew increasingly violent. The separation barrier has stagnated the agriculturally-based economy in Bil’in and has become a symbol of Israeli oppression and colonization in the West Bank. Photographer Adam Beach documented the Bil’in demonstrations. 

Artist Emily Jacir awarded prestigious Golden Lion


Emily Jacir, who participated in the 52nd La Biennale di Venezia international art exhibition, was awarded last week with the prestigious Golden Lion award. Jacir, whose ongoing installation work “Material for a film” was featured in the 2007 Biennale themed Think with the senses - Feel with the mind, was given the Golden Lion award for an artis under the age of 40. “The award for an artist under 40 is given for a practice that takes as its subject exile in general and the Palestinian issue in particular,” stated the Bieannale’s International Jury. 

The moderate blindfold


We’ve had Live 8 and Live Earth, and this week, albeit on a smaller scale, we almost had One Million Voices. Organized by the OneVoice group, the declared aim was to bring together Palestinians and Israelis in simultaneous events in Tel Aviv, Jericho, London, Washington and Ottawa to voice support for the “moderates” and call for a negotiated two-state solution. EI contributor Ben White comments. 

Academic freedom at risk on campus


“Academic colleagues, get used to it,” warned the pro-Israel activist Martin Kramer in March 2004. “Yes, you are being watched. Those obscure articles in campus newspapers are now available on the Internet, and they will be harvested. Your syllabi, which you’ve also posted, will be scrutinized. Your Web sites will be visited late at night.” Kramer’s warning inaugurated an attack on intellectual freedom in the US that has grown more aggressive in recent months. Saree Makdisi comments. 

Illegal discrimination against Palestinians in Lebanon


BEIRUT, 17 October 2007 (IRIN) - The Lebanese government’s practices against Palestinian refugees continue to breach the country’s obligations under international human rights law and should be repealed immediately, according to a report released here on 17 October by Amnesty International. Lebanon has the highest percentage of all Palestinian refugees living in abject poverty, according to the UN’s Palestinian relief organization, UNRWA

What a "safe" cluster bomb did


TYRE, Lebanon, 15 October (IPS) - The explosion ripped through the tiny garden in rural south Lebanon, hurling Naemah Ghazi to the ground. The shrapnel from the bomb sliced through her legs, and she rapidly lost consciousness. “There was a lot of blood,” her mother Khadija recalls. “All her body was bleeding.” Naemah, 48, lived quietly with her mother in the border town Blida since her father passed away nearly 30 years ago. 

The show goes on ... and on


The “Middle East Peace Process” is like one of those big budget Broadway extravaganzas; they go on for years, but with each revival the cast changes. What may seem like a tired production to some nevertheless manages to remain fresh to the gullible throngs willing to hand over the price of admission. EI’s Ali Abunimah comments.