Reviews

Documentary review: "Jeremy Hardy vs. the Israeli Army"

Maureen Clare Murphy 27 May 2003


Although the film Jeremy Hardy vs. the Israeli Army was “on one hand [intended for] a British audience,” as explained by director Leila Sansour, it also aimed to communicate to the rest of the world that Palestine isn’t just a land of “sad faces and dead bodies.” Sansour wanted to show a universal audience “that it’s a hospitable place” like the Palestine that lives in her memory. Maureen Clare Murphy writes about Sansour’s documentary about the ISM. 

Film review: Rana's Wedding

Maureen Clare Murphy 29 April 2003


It is not often that movie audiences, American ones especially, see a female heroine that doesn’t need a man to save her or doesn’t wear stiletto heels and a short skirt while overcoming hurdles. And that’s why I like Rana of Rana’s Wedding so much. Not only was she smart enough to wear sensible shoes and comfortable clothes while running through town searching for her boyfriend, but she solved her problems all on her own. EI writer Maureen Clare Murphy reviews “Rana’s Wedding” at the Chicago Palestine Film Festival. 

Film reviews: Nizar Hassan's "Istiqlal" and "Invasion"

Maureen Clare Murphy 29 April 2003


There are a lot of difficult questions that Americans, Israelis, and Palestinians alike must ask themselves in order to better understand this conflict that they are all a party to. Director Nizar Hassan is not afraid to critique attitudes, primarily among Palestinians, that he finds problematic. By using his own quest for answers as an example, he reflects to his audience that they too can get a dialogue rolling. EI contributor Maureen Clare Murphy reviews two films at the Chicago Palestine Film Festival. 

Review: Diary of a Male Whore

Maureen Clare Murphy 21 April 2003

In Tawfiq Abu Wael’s Diary of a Male Whore, the main character, a young man who states, “My physical pleasures make me forget the hunger,” finds that humiliation is the way of life in an occupied land. EI contributer Maureen Clare Murphy reviews the film at the Chicago Palestine Film Festival. 

Review: Lord's Song in a Strange Land

Maureen Clare Murphy 21 April 2003

Nicholas Dembowski’s video, Lord’s Song in a Strange Land is a clever montage of found footage from Hollywood movies, cable news networks, European news stations, old Western films and edited it as though to let his viewers channel surf through the American media’s representation of what it considers “the Arab world.” EI contributer Maureen Clare Murphy reviews the film at the Chicago Palestine Film Festival. 

Review: 'Palestine' By Joe Sacco

Charles Shaar Murray 4 February 2003


Buy Sacco’s Palestine from Amazon.com “In 1991-2, Sacco, having “heard nothing but the Israeli side”, toured the occupied territories, seeking to immerse himself in Palestinian existence. The fruit of his labours emerged as a mini-series of nine comics, now a single set with an introduction by one of Sacco’s primary influences, Edward Said. Sacco is formidably talented. A meticulous reporter, he scrupulously interprets the testimonies of dozens of victims of the Israeli regime into cartoon form. He is also a gifted artist whose richly nuanced drawings tread a delicate path between cartoonishness and naturalism. His layouts shift in style to match the material: stories told to him emerge in symmetrical panel grids, while incidents in which he is involved, or engage his emotions, are rendered in a far looser style, in which images and captions slide across the page. ” Charles Shaar Murray reviews Palestine in the Independent. 

Review: "Real DJs do Real Things" by DJ K-Salaam

Ismail Khalidi 27 January 2003


Above: Real DJs do Real Things cover. Although over 20 years old, hip-hop culture does not seem to have fulfilled the potential it once showed to become a serious political force in the U.S. Is there any hope for rappers to speak up and have their voices heard in a political climate much in need of constructive and intelligent dissent, debate and resistance? Ismail Khalidi reviews DJ K-Salaam’s album, Real DJs do Real Things and discovers that DJ tackles the taboo of the Israeli-Palestinian conflict — largely untouched in the music industry as well as in showbiz in general. Much like the inventive, hard-hitting beats and musical collages on his album, Salaam is similarly courageous in his liner notes as he makes a plea for justice for the Palestinian people. 

Review of Bernard Lewis' "What Went Wrong: Western Impact and Middle Eastern Response"

Juan Cole 27 January 2003

With regard to the Middle East, what does he mean by the question “what went wrong?” Does he mean to ask about economic underdevelopment? About lack of democracy? About a failure to contribute to scientific and technological advances? About ethnocentrism? All of these themes are mentioned in passing, but none is formulated as a research design. Michigan history proffesor Juan Cole reviews Bernard Lewis’ book.