Reviews

Book review: Avraham Burg and the denying of denial


The Holocaust Is Over; We Must Rise From its Ashes claims that the Shoah (the Nazi holocaust) has been “nationalized” and “privatized” and seeks to reclaim its memory for a universalist vision. Only thus, claims author Avraham Burg, can Israelis be rescued from their obsession with spurious victimhood, and Hitler finally be defeated. Raymond Deane reviews for The Electronic Intifada 

Film review: "Waltz with Bashir"


To say that Palestinians are absent in Waltz with Bashir, to say that it is a film that deals not with Palestinians but with Israelis who served in Lebanon, only barely begins to describe the violence that this film commits against Palestinians. There is nothing interesting or new in the depiction of Palestinians — they have no names, they don’t speak, they are anonymous. But they are not simply faceless victims. Instead, the victims in the story that Waltz with Bashir tells are Israeli soldiers. Naira Antoun reviews the film for The Electronic Intifada. 

Book review: Un-erasing the erasure of Palestine


I read Jonathan Cook’s new book Disappearing Palestine: Israel’s experiments in human despair before Israel committed its most recent massacres in Gaza. Israel’s massive disregard for Palestinian life and the clearly deliberate destruction of life-sustaining infrastructure shocked many poorly informed observers, but few of those acquainted with the knowledge contained in this book would have been taken by surprise. Gabriel Ash reviews for The Electronic Intifada. 

Book review: Abdel Bari Atwan's "Country of Words"


A Country of Words: from the Refugee Camps to the Front Page is a remarkable Palestinian memoir, exceptional because of its abundance of compassion, humor and humility. Its author is Abdel Bari Atwan, editor of the London-based Arabic-language daily al-Quds al-Arabi who also wrote The Secret History of al-Qa’ida. Individuals have their own lives and create their own narratives, and for Atwan, his story begins in Palestine. Atef Alshaer reviews for The Electronic Intifada. 

Film review: Absurd humor succeeds in "Laila's Birthday"


In his new feature film, Laila’s Birthday, director Rashid Masharawi paints a bittersweet picture of life in the West Bank city of Ramallah. There, Masharawi’s main character, Abu Laila (played by the legendary Palestinian actor Mohammad Bakri), struggles to make ends meet as a taxi driver while attempting to get a license to work as a judge from the bureaucratic Palestinian Authority. EI’s Maureen Clare Murphy reviews. 

Book review: Israel's occupation, inside out


Israel’s one-sided war on the Palestinian people continues unabated while mountains books on the subject are being written, published, read and sometimes reviewed. EI contributor Raymond Deane assess whether two new volumes on Israel’s occupation, Neve Gordon’s Israel’s Occupation and Saree Makdisi’s Palestine Inside Out, present a radically new perspective or have the potential to influence public opinion in the right direction. 

Palestine in verse: "Flawed Landscape" and "Poets for Palestine" reviewed


It is inspirational to find Palestine richly meditated in poetry. Two new poetry collections provide a robust testament to that — One collection is by the Palestinian-American poet Sharif S. Elmusa, Flawed Landscape, and the other is made of selected works by various poets edited by Remi Kanazi, Poets for Palestine. Atef Alshaer reviews for The Electronic Intifada. 

Film review: "Slingshot Hip Hop"


Jackie Salloum’s invigorating new documentary Slingshot Hip Hop portrays the story of three aspiring Palestinian musicians from the rap group DAM as they develop their talent in their bedrooms and take it to standing-room-only crowds throughout historic Palestine. Maureen Clare Murphy reviews this most recommended film for The Electronic Intifada.