Jimmy Johnson

Cherien Dabis' journey to "Amreeka"



Why migrate? What do you leave when you do? What’s waiting for you? How do you bring the social construct of “home” with you? Or replace it? And in a collection of such heavy questions, where is there room for marijuana jokes? Director Cherien Dabis’ award-winning feature-length debut Amreeka investigates all of these and much more in an hour and a half of marvelous cinema. Jimmy Johnson writes for The Electronic Intifada. 

Film Review: Simone Bitton's investigative documentary, "Rachel"



One of a filmmaker’s primary roles in any inquiry is to illuminate the topic of the narrative through entertainment, information, posing challenges or any other kind of engagement. Simone Bitton’s Rachel, a new documentary about the death of International Solidarity Movement activist Rachel Corrie, struggles to do this. Jimmy Johnson reviews for The Electronic Intifada. 

Film review: Missed opportunities in "Checkpoint Rock"



Sometime early this decade the Israeli army issued a military order banning Palestinian musicians from using simile and metaphors. This order also prevented them from singing about anything but the occupation. Ok, that’s not actually true. But if your only contact with Palestinian music was through the documentary Checkpoint Rock you could be forgiven for coming to that conclusion. Jimmy Johnson reviews for The Electronic Intifada. 

Film review: Uncovering truth and humor in Edward Salem's "Impunity"



Edward Salem’s is not a conventional documentary in the sense that it doesn’t offer any one or series of narratives for the audience to follow. Impunity is instead best appreciated as a profound ethnography on the coping mechanisms of a people under siege and in the aftermath of the massive destruction of Operation Cast Lead. Jimmy Johnson writes for The Electronic Intifada. 

Israel's "Iron Dome" system aims to pacify, not protect



Israel’s Iron Dome program has been controversial from its inception in 2005. Besides the nationalist economic motive, Israel’s efforts at intercepting rockets and mortar shells are products of Israel’s pacification industry. Iron Dome is intended to be a checkpoint of sorts, one that attempts to erase or obscure the resistance of the Palestinians warehoused behind the walls of Gaza and the West Bank by intercepting projectiles. Jimmy Johnson comments for The Electronic Intifada. 

Interview: Education and resistance at the Ann Arbor Palestine film fest



The second annual Ann Arbor Palestine Film Festival opened on Wednesday, 10 March with the feature film Pomegranates and Myrrh. Such festivals are a growing phenomenon with new ones popping up throughout the United States. The Electronic Intifada contributor Jimmy Johnson spoke with festival organizers Hena Ashraf, Ryah Aqel, Lauren Thams and Pomegranates and Myrhh director Najwa Najjar.