A February 2008 report by the pro-Israel media watchdog CAMERA claimed the existence of an overwhelming pro-Arab, anti-Israel agenda in The Washington Post, The New York Times, and The Los Angeles Times in “guest op-eds” over a 19-month period. The Electronic Intifada found CAMER ignored articles that undermined its claims. CAMERA responded with another report reaffirming most of its findings, but The Electronic Intifada finds that once again, CAMERA’s analysis fails to pass the credibility test. Read more about CAMERA's broken lens revisited
In a major policy speech on 25 June 2009, Khaled Meshal, the head of Hamas’ political bureau, tried to do what may be impossible: present the Islamist Palestinian resistance organization as a willing partner in a US-led peace process, while holding on to his movement’s political principles and base. This is the dilemma that every Palestinian leadership, and perhaps almost every liberation movement, has eventually had to confront. It is a choice, as political scientist Tamim Barghouti has pointed out, between recognition and legitimacy. Ali Abunimah analyzes. Read more about Hamas' choice: Recognition or resistance in the age of Obama
Israel’s housing minister called for strict segregation between the country’s Jewish and Arab populations last week as he unveiled plans to move large numbers of fundamentalist religious Jews to Israel’s north to prevent what he described as an “Arab takeover” of the region. Jonathan Cook reports. Read more about Minister calls for Jewish takeover of Palestinian areas in Israel
The power of posters, as not merely symbolic weapons but also sites of hegemonic struggle during Lebanon’s civil war, is a central theme of Zeina Maasri’s new book Off the Wall: Political Posters of the Lebanese Civil War. A mix of text and image, the book is a rich and visually engaging work that tackles a dimension of war long-neglected by Lebanese historians. Hicham Safieddine reviews for The Electronic Intifada. Read more about Book review: Lebanon's political posters as sites of struggle
GAZACITY, occupied Gaza Strip (IPS) - “They told us ‘go west or we will shoot you,’” says Ashraf Sadallah. “Initially, we refused, so they began shooting very close all around our boat.” At 6am on 16 June, Sadallah and his brother Abdel Hadi Sadallah, in their early twenties, went roughly 400 meters out to sea off the coast of Sudaniya in Gaza’s northwest. “We wanted to bring in nets we had left out the night before,” says Sadallah. Read more about Gaza's sea a "no-go zone" for fishermen
RAMALLAH, occupied West Bank (IPS) - Twenty-one international peace activists were seized by Israeli naval frigates in international waters Tuesday as their boat The Spirit of Humanity tried to carry humanitarian aid to Gaza. The activists, including former US Congresswoman Cynthia McKinney and Irish Nobel Peace laureate Mairead Maguire, and nationals from 11 other countries were part of the Free Gaza Movement (FGM) efforts to break Israel’s naval and border blockade of Gaza. Read more about Gaza aid boat crew detained, threatened with deportation
The US-sponsored “security coordination” program headed by Lt. Gen. Keith Dayton, which was launched by the Bush Administration in 2005 to allegedly help the Palestinians reform their security services, has done more harm than good. US President Barack Obama would do well to fire Dayton and put an end to US intrusion into internal Palestinian affairs. Mohammed J. Herzallah comments for The Electronic Intifada. Read more about Why Obama should fire General Dayton
Ali Jabri locked his paintings in a trunk. It had been more than 20 years since the artist had opened it, but after he was murdered in his Amman, Jordan apartment in December 2002 his friends decided it was time to tell Jabri’s tale. Six years in the making, Fadi Ghandour, a philanthropist and friend of Jabri’s, set up a foundation to document and preserve the late artist’s work. In a home Jabri had wished to one day own, the Ali Jabri Human Heritage Foundation was launched in Amman. Sousan Hammad reports for The Electronic Intifada. Read more about Ali Jabri retrospective: a life recorded in sketchbooks
The play Oh Well Never Mind Bye is set in the busy newsroom of an unnamed London-based newspaper — probably a right-wing tabloid — in the days before and after London police shot dead a Brazilian immigrant on an underground train. But in a genuinely brave piece of playwriting, Steven Lally has drawn on wider themes, including the “churnalism” that has turned much of the journalistic profession into a regurgitation of celebrity press releases, the way in which Palestine and related issues are reported in the mainstream media and the influence of the Zionist lobby on news coverage. Sarah Irving reviews for The Electronic Intifada. Read more about Newsroom politics dramatized in "Oh Well Never Mind Bye"
Recently, I spoke with some friends in Gaza and the conversations were profoundly disturbing. My friends spoke of the deeply-felt absence of any source of protection — personal, communal or institutional. There is little in society that possesses legitimacy and there is a fading consensus on rules and an eroding understanding of what they are for. Sara Roy comments. Read more about Destroying Gaza
