The Electronic Intifada

Withdrawal from Reality?


President Bush rolled out the red carpet for his Palestinian protege, Mahmoud Abbas. The meeting in the Rose Garden, in terms of staging, equaled anything that President Clinton had done with his friend, Yasser Arafat, in the heyday of the Oslo agreements. Pessimists, on the one hand, believe that nothing will happen until after the Israeli elections, probably set for November 2006. And that means continued rolling violence between now and then. 

The invisibility of Palestinian Nonviolent Resistance in the New York Times


The fact that thousands of Palestinians and hundreds of Israelis are together employing nonviolent tactics similar to those of the U.S. civil rights movement and the South African anti-Apartheid movement would come as surprising and welcome news to most Americans. Americans are largely unaware of the struggling but vibrant grassroots nonviolent movement in Palestine, because the U.S. corporate media prefers a simple, flawed story of Palestinian terrorist attacks and Israeli retaliation. 

Abbas' backward agenda: all constants and no variables


Leaders tend to stay at home in moments of crises. If caught out of their countries when trouble develops, they rush back. Nothing enhances the confidence of people in their leaders more than when they see them amongst them in hard times. This does not seem to be the case with the Palestinian leader Mahmoud Abbas. He embarked on an Arab and world tour just when at home he is most needed: his government is facing a possible no-confidence vote in the Palestinian assembly, and violence broke out between Israelis and Palestinians. EI contributor Hasan Abu Nimah explains this backward logic. 

NGO Monitor should not be taken seriously


NGO Monitor, founded by the Jerusalem Center for Public Affairs, has for some time now been deliberately spreading false and misleading information about NGOs in an attempt to discredit them. Their targets include some of the most established and respected human rights organizations. While their efforts to stifle a critical dialogue have proved unsuccessful, their efforts are relentless and it is important that they be exposed as part of an extremist, right-wing institution, closely linked with the Israeli government and military commanders, who do not have specific interest in human rights. Therefore, NGO Monitor should not be taken seriously by anyone interested in peace and human rights. 

FREE THE P! Palestine Takes NYC's East Village by Storm


As I walk down the darkened staircase into a muggy basement in this lower eastside dive bar, a scruffily bearded supporter smiles and waves a four-foot wide Palestinian flag. The chatter begins as the room fills with anxious people awaiting the show. The young crowd came out to support Free the P, the new CD compilation of “hip-hop and spoken word, dedicated to the youth of Palestine.” The proceeds will go to Slingshot Hip-hop, “a documentary film that focuses on the daily life of Palestinian rappers living in Gaza, the West Bank and inside Israel.” Within moments, our hostess, Arab-American comedienne Maysoon Zayid, takes the ground level, makeshift stage and gets the crowd going with her dry, political humor. 

Haifa University spreads the message of fear towards Palestinians


The University of Haifa has warned foreign students of the dangers of visiting Palestinians. This warning, which comes in the form of “Special Security Instructions for Students”, follows a decision by the University to establish a special education programme for soldiers who serve in the Israeli army. Such actions are patently discriminatory, offering fresh reasons for the University of Haifa to again be included in a list of Israeli universities being (re)considered for an academic boycott. This fall, the Department of Overseas Studies at the University of Haifa circulated these instructions for students. The students are advised “not to travel in the West Bank or the Gaza strip. Avoid Arab population centres within Israel as far as possible. 

Selling colonialism


Kingdom of Heaven, directed by Sir Ridley Scott and starring Orlando Bloom, Jeremy Irons, Eva Green, Liam Neeson, has now been released on DVD (20th Century Fox). Watching this Hollywood extravaganza is like seeing the current Iraq war through the eyes of an American soldier, or a portrait of apartheid from the point of view of a rich white South African farmer, or a depiction of the Jewish settlements in the West Bank from the perspective of a Jewish settler. It is also like the foreign news in the quality U.S. and British news media today: no direct or conscious lies, but extremely one-sided. In end effect, it has all the historicity of an early cowboys-and-Indians-movie or Birth of a Nation, the infamous 1916 film that sympathizes with the Ku Klux Klan. 

Theatre Review: My Name Is Rachel Corrie


When our daughter Rachel Corrie was killed by an Israeli bulldozer in the Gaza Strip on March 16 2003, an immediate impulse was to get her words out to the world. We realised that her words were having a similar effect on others whose lives were being changed. Earlier this year, when a play created entirely from Rachel’s emails and journals first opened in London, we saw in a very immediate way the impact that Rachel’s words can have on others. It is disturbing to see our daughter played on stage, but it drives home the impact she has had since her killing in Gaza. 

Hamas and the PA at loggerheads


For a long time, relations between the Palestinian Authority (PA) and the Islamist movement Hamas have been tense. On September 30 these tensions finally boiled over. After a series of mysterious and still-disputed events, members of Hamas clashed with Palestinian police officers throughout Gaza City. Three Palestinians were reported killed, including a major in the Palestinian police, while more than 50 others, among them children, were injured. 

The Skies are Weeping to premiere in London


Eighteen months ago I wrote a press release for what I thought would be the upcoming performance of a memorial cantata about a dedicated American college student, to be performed by other dedicated American college students. It was not to be. Some of the premises I had accepted in creating the work were seriously flawed. The first of many flawed premises was that in the environment of the ongoing Iraq War, one could expect an even table when presenting an antiwar argument - especially in a work of fine art. I was wrong.