Art, Music & Culture

Palestinians break records to reclaim culture



RAMALLAH, occupied West Bank (IPS) — Nasser Abdulhadi is a mild-mannered man who runs a restaurant. He was always known as the jovial sort. One day, his friends say, he stopped being jovial. He chose instead to fight for a world title for one of his country’s national dishes, and through that to gain worldwide recognition for Palestine. 

Architectural planning for a different future



If you live under a colonial regime, the first thing you are prevented from doing is thinking about a future,” proclaims Sandi Hilal, one of the founders of Decolonizing Architecture. “This is the first thing that the occupation imposes on you. And to propose in Palestine right now a future where you can plan, imagine, is something which is very important.” 

"Beware of Small States": journalist David Hirst interviewed



Veteran Middle East correspondent David Hirst, author of the seminal work on the Palestinian plight The Gun and the Olive Branch, has a new release: Beware of Small States, an equally important book on Lebanon’s complex tragedy. The Electronic Intifada contributor Robin Yassin-Kassab interviews Hirst on his work and views. 

Book review: Victor Kattan's legal history of the colonization of Palestine



In order to understand how the law works, one needs to situate it in its political and historical context, otherwise it loses its relevance. That’s what Victor Kattan’s new book From Coexistence to Conquest does. It is a novel attempt to examine the legal history of the Israeli-Arab conflict, describing law as one factor among many that shaped the development of events. Mazen Masri reviews. 

Cherien Dabis' journey to "Amreeka"



Why migrate? What do you leave when you do? What’s waiting for you? How do you bring the social construct of “home” with you? Or replace it? And in a collection of such heavy questions, where is there room for marijuana jokes? Director Cherien Dabis’ award-winning feature-length debut Amreeka investigates all of these and much more in an hour and a half of marvelous cinema. Jimmy Johnson writes for The Electronic Intifada. 

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