Fouad Moughrabi

”Back in Tennessee, my son who had lived for three years in Ramallah, was sometimes asked to sing songs in Hebrew to celebrate Yom Kippur; he was given assignments dealing with the Holocaust; and he was told by one teacher that his impressions about the Israeli-Palestinian conflict are simply in his head. It was, therefore, not surprising at all for him to come home one day with a copy of Lynne Reid Banks’ novel Broken Bridge.” Alarmed by the racist portrayal of Arabs in the book assigned to his 12-year-old son, EI contributor Fouad Moughrabi analyzes some portrayals of the Israeli-Palestinian conflict in popular children’s literature.

”Back in Tennessee, my son who had lived for three years in Ramallah, was sometimes asked to sing songs in Hebrew to celebrate Yom Kippur; he was given assignments dealing with the Holocaust; and he was told by one teacher that his impressions about the Israeli-Palestinian conflict are simply in his head. It was, therefore, not surprising at all for him to come home one day with a copy of Lynne Reid Banks’ novel Broken Bridge.” Alarmed by the racist portrayal of Arabs in the book assigned to his 12-year-old son, EI contributor Fouad Moughrabi analyzes some portrayals of the Israeli-Palestinian conflict in popular children’s literature.

A chance encounter with the well known Palestinian filmmaker Michel Khleifi at the offices of the Qattan Foundation in Ramallah says it all: “No, one should not get depressed about the current situation,” says Khleifi. “In fact, this is the best time for us to work seriously on the Palestinian as a human being.” There is indeed quite a lot to be depressed about. Palestinian factions are busy fighting each other while Israel pursues its own criminal designs with the complicit approval of the international community.