Art, Music & Culture

Speechless. Silent. I could not move. I just sat there, watching the screen, the scrolling text of dedication and the names of Arna’s children: Youssef, Nidal, Ashraf, and Ala. Arna’s children form a small theatre group of Palestinian children in Jenin. Arna’s son Juliano, director of this film, was directing the theatre group. All those years, from 1989 to 1996, Juliano filmed the rehearsals and performances of the plays. He films Ala sitting on the ruins of his home blown up by Israeli soldiers, growing up to become a fighter in Jenin. EI’s Arjan El Fassed saw the film and comments.

The greatest struggle in Soha Béchara’s life was not plotting to assassinate Antoine Lahad, the Lebanese chief of militia in Israeli-occupied Southern Lebanon during the 1980s. Rather, her true test was somewhat parallel to that of her home country of Lebanon — to survive living under the tyranny of the occupying Israelis. But in Béchara’s case, her prison was a literal one. However, Béchara’s memoirs are missing that extra layer of narration that would let readers in on the true mental process of someone who is ready to give their life for their country.

In the foreword to Reporting from Ramallah: An Israeli Journalist in an Occupied Land (2003), filmmaker and activist Rachel Leah Jones describes Amira Hass’ body of work as the complete story on the confiscation of land, paving of bypass roads, and expansion of Israeli settlements. These 37 selected writings form a shorter chronological account aimed primarily at a target audience of Israeli Jews. Hass is an Israeli journalist and recipient of the UNESCO Guillermo Camo World Press Freedom Prize for 2003. From 1993 to 1997, she reported exclusively from Gaza. Tina Dybvik reviews Hass’ new book.

In Mind, Body and Soul of Palestine: A Photo Journal Exhibit, time, imagery, and stereotype are challenged and contradicted. Indeed, some of the imagery in the photographs contradict each other, causing the viewer to reconsider what they know about this country called Palestine that is constantly being reported but seldom understood. The show is presented by al-PHAN (which stands for Palestinian Humanities and Arts Now), a Chicago-based not-for-profit organization, and will be traveling around the U.S through next spring.